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Round Earth Open Sky opens on an immortal being from another dimension tricked by sorcery into the body of a dead human being. Calling himself Sky Man, he wanders the Sonoran Desert, heals ills, reads minds and speaks in “picture-talk,” an ESP-like language that bends time and drags hidden motives into view. Moses—a New York City photographer haunted by his past and trained to frame reality from a safe distance—pulls over to take a picture of the ragged stranger but believes not a word of his outlandish story. However, at every stop, supernatural things happen which unearth multiple clues to the puzzle of the dead man’s origins and Sky Man’s destination, drawing Moses into his own spiritual odyssey and transformation via tikkun olam, repairing the tear in the world through justice and loving kindness.

What began as a buddy road novel of speculative fiction turns into a psychological and metaphysical suspense thriller.

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Jim Cohn

Poet, Poetry Activist, Spoken Word Artist, Writer, & Curator

ABOUT

Introduced to the evolving field of expansive Outrider poetics by Anne Waldman in 1976 and as a teaching assistant to Allen Ginsberg at Naropa’s University’s Jack Kerouac School of Disembodied Poetics in 1980, poet, recording artist, editor, publisher, and poetics curator Jim Cohn studied with renowned Black Mountain, Beat Generation, New York School, Black Arts, Feminist, and Environmental Justice poets, political activists, and countercultural luminaries. 

An early investigator and identifier of the post-beat poetry genre––which sought the continuation of cultural, sexual, medicinal, social, political and environmental struggles of the Beat Generation into 21st century American society as well as abroad, with a special interest in China-–Cohn centered his work on themes of diversity, equality, social justice and environmental sustainability in the face of climate change and the rise of white supremacist bigotry. In his career as a disability specialist, he served students with nonvisible disabilities at St. Lawrence University and the University of Colorado at Boulder where he was also an advocate for Disability Studies. An ally of American Sign Language poetry communities, he coordinated the first National Deaf Poetry Conference in the United States (1987). 

Besides books of poetry, poetics nonfiction, spoken word recordings, and curating the vast Museum of American Poetics website he founded in 1998, Cohn mimeo-produced ACTION Magazine in the mid-1980s while living in Rochester, NY, and then the annual poetics journal Napalm Health Spa from 1990-2015. His master work, Treasures for Heaven, collects published, unpublished and recent works spanning nearly five decades of poetics activism. Cohn’s literary papers are archived at the University of Michigan Special Collections Library. He resides in Boulder County, Colorado, where his daughter, Isabella Grace Cohn, was born.

PUBLICATION AT GIANT STEPS PRESS 

Treasures for Heaven: Collected Poems 1976-2021, 2022, Giant Steps Press

Jim Cohn has good imagination and direct perception, facts, details, Whitmanic ambition; his poems are inventive, profuse, concise, improvisational. ––Allen Ginsberg

Cohn cuts back and forth between the human heart and home, and the spaces and surprises of the wild. He does it beautifully. ––Gary Snyder

Follow Jim Cohn’s extraordinary “fem action poem” [“The ongoing SagaI Told My Daughter”] through its vivid narration and manifestations. Wise, witty, insightful, generous, culturally accurate & quite moving, the SAGA is a panorama of the feminine. All the trickstresses and dakinis are invoked in this salient tribute, saluting him. ––Anne Waldman

Jim Cohn is one of the finest poets of my generation. ––David Cope

A poet’s poet for his craft and care, but I have no doubt that when his work is taken to heart, the world will be better for it. ––Andy Clausen

Jim Cohn takes you through a poetically charted journey on what it is to be human in relationships, in the death of loved ones, in the struggle for justice, at the movies; an esoteric, mystical and real trip you have to take. ––Nancy Mercado

The centerpiece long poem, “Treasures for Heaven,” is simply a knockout, combining the eye-opening spontaneity of Kerouac’s Mexico City Blues with a Whitmanic desire for a more democratic and compassionate planet. ––Eliot Katz

Though it’s not known if he ever sent it, Emerson once wrote a letter to his brother about a public talk his brother had delivered. In the letter, he pointed out, with that talk, his brother had been for his hearers a spectacle instead of an engine. I mention that insight to you by way of response to your epic “if 45 was 16 & 16 Wad 45.” Against what I size up to be nearly insurmountable odds, you’ve created a work that is not spectacle but engine. For me, that difference is decisive. ––George Drury

OTHER BOOKS

If 45 was 16 & 16 was 45, 2020, Museum of American Poetics Publications (Chapbook)

Birthday News: A Poemoscope, 2018, Museum of American Poetics Publications

The Ongoing Saga I Told My Daughter: Expanded Edition, 2016, Museum of American Poetics Publications

The Groundless Ground, 2014, Museum of American Poetics Publications

Sutras & Bardos: Essays & Interviews on Allen Ginsberg, The Kerouac School, Anne Waldman, Postbeat Poets & The New Demotics, 2011, Museum of American Poetics Publications

Mantra Winds, 2010, Museum of American Poetics Publications

The Ongoing Saga I Told My Daughter (original edition), 2009, Museum of American Poetics Publications

Quien Sabe Mountain, 2004, Museum of American Poetics Publications

The Golden Body: Meditations on the Essence of Disability, 2003, Museum of American Poetics Publications

Sign Mind: Studies in American Sign Language Poetics, 1999, Museum of American Poetics Publications

The Dance of Yellow Lightning Over The Ridge, 1998, Writers & Books Publications

Grasslands, 1994, Writers & Books Publications

Prairie Falcon, 1989, North Atlantic Books

Green Sky, 1980

DISCOGRAPHY

Venerable Madtown Hall 2013, MusEx Records

Commune 2013, MusEx Records

Impermanence 2008, MusEx Records

homage 2007, MusEx Records

Trashtalking Country 2006, MusEx Records

Emergency Juke Joint 2002, MusEx Records

Antenna 2000, MusEx Records

Unspoken Words 1998, MusEx Records

Walking Thru Hell Gazing at Flowers 1996, Rudy’s Steakhouse Music

The Road 1995, Rudy’s Steakhouse Music

FEATURES 

Jim Cohn on Wikipedia

Museum of American Poetics

Jim Cohn Homepage

‘If 45 was 16 & 16 was 45’; Jim Cohn: A Poem and Interview” on the Giant Steps Blog (DATE?)

Jim Cohn: “Diamond Fragments, Golden Sparks” interview by Michael Limnios (2012)

“Jim Cohn: Meditations on Leaves of Grass at 150″ (2005) NEW LINK: https://logosjournal.com/article/meditation-on-leaves-of-grass-at-150/

“Treasures for Heaven” (excerpts in English and Chinese, translated by Peter Feng)

Taking Giant Steps: May 2022 Poetry Is My Instrument: A Discussion of “Treasures for Heaven: Collected Poems 1976-2021.” Interview with Jim Cohn by William Seaton.

Taking Giant Steps: Unacceptable Rules Made to Be Broken: Interview with Jim Cohn by Chelsea Debarros 

Taking Giant Steps: March 2020 Whitman in Vegas by Jim Cohn

Taking Giant Steps: Gordon Ball’s East Hill Farm: Seasons with Allen Ginsberg: A Conversation with Jim Cohn & Kirpal Gordon

Taking Giant Steps: Those Keys’re Rolling: A Review of David Cope’s The Invisible Keys: New and Selected Poems by Jim Cohn

https://giantstepspress.blogspot.com/2015/07/the-museum-of-american-poetics.htm  [THIS BLOG POST IS NOT AT THIS LINK]

Taking Giant Steps: 2014 A review of The Groundless Ground: Poems 2010-2014 by Jim Cohn

Taking Giant Steps: All Loves Are the Way Onward: An Interview with Jim Cohn by Kirpal Gordon

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GIANT STEPS PRESS is a New York City-based independent press. We publish books that break new ground and inspire new possibilities. 

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